What is the song a Chantar about?
Typical subject matter used by Comtessa de Dia in her lyrics includes optimism, praise of herself and her love, as well as betrayal. In A chantar, Comtessa plays the part of a betrayed lover, and although she has been betrayed, continues to defend and praise herself.
Why was Beatriz de Dia important?
Beatritz or Beatriz de Dia (born c. 1140 – flourished circa 1175, Provence) was the most famous of a small group of trobairitz, or female troubadours who wrote courtly songs of love during the twelfth and thirteenth centuries.
Who composed Comtessa de Dia a Chantar?
(Performed by: Catherine Bott) This song is from the late medieval Occitan troubadour tradition.
When was a Chantar written?
This is a 12th century Occitan language song by Beatritz de Dia (1135-1185). It’s the only surviving song by a female troubadour where both the lyrics and music have been preserved.
Is a Chantar monophonic?
Even though there would be a lot of us singing, we’d all be on the same part or line of music. That’s what monophony is, and all chant features this simplest of textures.
Who composed a Chantar?
It is difficult to say very much about the Countess of Dia as a composer. “A Chantar” is the only one of the four or five poems attributed to her that has survived with its melody.
Who wrote a Chantar?
Comtessa de Dia’s “A chantar” is one of the most famous, and frequently performed troubairitz songs in the repertoire of early secular music. Unlike many of the troubadour songs of the time, “A chantar” is written from the point of view of a woman who sings of the pride and disdain of her male lover.
What is the instrumentation in a Chantar?
Instrumentation. Female soloist, fiddle/vielle, flute. end- lute, drum. Texture.
When was a Chantar m er composed?
A Chanter M’er (I must sing of what I do not want), a medieval melody by Beatriz, Comtessa de Dia (The Countess of Dia) written in about 1180.
What is the melody of secular music?
Secular music Among the distinctive features of Burgundian musical style was the prevailing three-part texture, with melodic and rhythmic interest centred in the top part. Because it was so typical of secular songs, this texture is commonly referred to as “ballade style” whether it appears in mass, motet, or chanson.
What is the tempo of secular music?
Song Metrics Secular Music is a very happy song by John Reuben with a tempo of 80 BPM. It can also be used double-time at 160 BPM.
What is melody of sacred music?
Unlike the other two pillars of classical music, sacred music can be traced back to the Medieval era (about 500-1400 CE) in a style known as plainchant, which was largely monophonic (or having only one melody, no harmonic accompaniment), and consisted of little melodic variation and rhythmic complexity.
Who performed secular music?
Early secular musicians, called troubadours and trouvères, performed their music for the entertainment of the rich, as opposed to the minstrel image we usually conjure up. Some important early secular musicians include Adam de la Halle, Josquin des Prez, and Guillaume Dufay.
What is the tempo of sacred music?
Sacred is played at 123 Beats Per Minute (Allegro), or 31 Measures/Bars Per Minute.
What sacred music means?
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual.
What is modal chanting?
Modal theory, which postdates the composition of the core chant repertory, arises from a synthesis of two very different traditions: the speculative tradition of numerical ratios and species inherited from ancient Greece and a second tradition rooted in the practical art of cantus.
Who was the Comtessa de Dia?
She is only known as the comtessa de Dia in contemporary documents, but was most likely the daughter of Count Isoard II of Diá (a town northeast of Montelimar now known as Die in southern France). According to her vida, she was married to William of Poitiers, but was in love with and sang about Raimbaut of Orange (1146-1173).
Who was the Countess of Die?
The Comtessa de Dia (Countess of Die ), possibly named Beatritz or Isoarda (fl. c. 1175 or c. 1212), was a trobairitz (female troubadour). She is only known as the comtessa de Dia in contemporary documents, but was most likely the daughter of Count Isoard II of Diá (a town northeast of Montelimar now known as Die in southern France).
What is the subject matter of Comtessa de Dia A chantar?
Typical subject matter used by Comtessa de Dia in her lyrics includes optimism, praise of herself and her love, as well as betrayal. In A chantar, Comtessa plays the part of a betrayed lover, and despite the fact she has been betrayed, continues to defend and praise herself.
When was Beatritz de Dia born?
Beatriz de Dia from Bibliothèque Nationale, MS cod. fr. 12473, 13th century. The Comtessa de Dia (Countess of Die), possibly named Beatritz or Isoarda (fl. c. 1175 or c. 1212), was a trobairitz (female troubadour).